Platformskultur

Platformskultur Begrebet platformskultur bruges om digitale platforme som sociale medier, streamingmedier og søgemaskiner, der er blevet dominerende i den digitale kultur gennem det 21. århundrede (Poell m.fl. 2021). Der findes en række forskellige former for platforme, som generelt er kendetegnet ved to ting: En integration af hardware og software som fx i spillekonsoller, mobiltelefoner, tv-bokse, […]

Log ind for at læse videre.
Forfattere Søren Pold
Supplerende læsning

Andersen & Pold 2018, Edwards 2021, Gillespie 2010, Nielsen & Ganter 2022, Poell m.fl. 2021

Reference

Andersen, Christian Ulrik & Pold, Søren (2018). The Metainterface: The Art of Platforms, Cities and Clouds. Cambridge, Mass.: MIT Press

Anderson, Chris (2004). “The Long Tail”. Wired, 12 (10). http://www.wired.com/wired/archive/12.10/tail.html

Edwards, Paul N. (2021). “Platforms are infrastructures on fire”. I: Mullaney, Thomas; Peters, Benjamin; Hicks, Mar & Philip, Kavita (red.). Your Computer is On Fire. Cambridge, Mass.: MIT Press. https://doi.org/10.7551/mitpress/10993.003.0021

Eriksson, Maria; Fleischer, Rasmus; Johansson, Anna; Snickars, Pelle & Vonderau, Patrick (2019). Spotify Teardown: Inside the Black Box of Streaming Music. Cambridge, Mass.: MIT Press

Fleischer, Rasmus (2015). “Towards a postdigital sensibility: How to get moved by too much music”. Culture Unbound: Journal of Current Cultural Research, 7 (2), s. 255-269. https://doi.org/10.3384/cu.2000.1525.1572255

Fuchs, Christian (2015). Culture and Economy in the Age of Social Media. New York: Taylor & Francis

Gillespie, Tarleton (2010). “The politics of ‘platforms’”. New Media & Society, 12 (3), s. 347-364. https://doi.org/10.1177/1461444809342738

Hu, Tung-Hui (2022). Digital Lethargy: Dispatches from an Age of Disconnection. Cambridge, Mass.: MIT Press

Kleiner, Dmytri (2010). The Telekommunist Manifesto, Volume 3. Amsterdam: Institute of Network Cultures. https://www.networkcultures.org/_uploads/%233notebook_telekommunist.pdf

Mansoux, Aymeric & Abbing, Roel Roscam (2020). “Seven theses on the fediverse and the becoming of FLOSS”. I: Gansing, Kristoffer & Luchs, Inga (red.). The Eternal Network: The Ends and Becomings of Network Culture. Berlin: Institute of Network Cultures & transmediale e.V. https://networkcultures.org/blog/publication/the-eternal-network/

Montfort, Nick & Bogost, Ian (2009). Racing the Beam: The Atari Video Computer System. Cambridge, Mass.: MIT Press

Nielsen, Rasmus Kleis & Ganter, Sarah Anne (2022). The Power of Platforms: Shaping Media and Society. New York: Oxford University Press

Pariser, Eli (2011). The Filter Bubble: How the New Personalized Web Is Changing What We Read and How We Think. New York: Penguin Publishing Group

Poell, Thomas; Nieborg, David B. & Duffy, Brooke Erin (2021). Platforms and Cultural Production. Cambridge: Polity Press

Stalder, Felix & Janša, Janez Fakin (red.) (2022). From Commons to NFTs. Ljubljana: Aksioma – Institute for Contemporary Art

Striphas, Theodore (2010). “The abuses of literacy: Amazon Kindle and the right to read”. Communication and Critical/Cultural Studies, 7 (3), s. 297-317. https://doi.org/10.1080/14791420.2010.504597

Striphas, Theodore (2011). The Late Age of Print: Everyday Book Culture from Consumerism to Control. New York: Columbia University Press

Terranova, Tiziana (2003). “Free labor: Producing culture for the digital economy”. Electronic Book Review, 2003(06-20). https://electronicbookreview.com/essay/free-labor-producing-culture-for-the-digital-economy/

Zuboff, Shoshana (2019). Overvågningskapitalismens tidsalder: Kampen for en menneskelig fremtid ved magtens nye frontlinje. København: Informations Forlag