Lydformer

Lydformer Lydformer henviser til generelle måder, hvorpå lyd kan fremtræde og organiseres (se også opslagene Lytteformer og Lyd i medierne). Identifikationen af lydformer er central både i lydproduktion og lydanalyse og kommer til udtryk i de mange lydtypologier, der er udviklet inden for medie- og kommunikationsområdet. Typologierne kan overordnet grupperes efter, om de primært interesserer […]

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Emneredaktør Kim Schrøder
Supplerende læsning

Augoyard & Torgue 2006, Gaver 1993, Graakjær 2023

Reference

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Chion, Michel (1994). Audio-Vision. Sound on Screen. New York: Columbia University Press

 

Gaver, William W. (1993). “What in the World Do We Hear? An Ecological Approach to Auditory Event Perception.” Ecological Psychology, 5 (1), s. 1-29

 

Graakjær, Nicolai Jørgensgaard (2023). The Sounds of Spectators at Football. New York: Bloomsbury Academic

 

Kelman, Ari Y. (2010). “Rethinking the Soundscape: A Critical Genealogy of a Key Term in Sound Studies.” The Senses & Society, 5 (2), s. 212-234

 

Krause, Bernie (2016). Wild Soundscapes. Discovering the Voice of the Natural World. New Haven: Yale University Press

 

Sakakeeny, Matt (2015). “Music.” I: Novak, David & Sakakeeny, Matt (red.). Keywords in Sound. Durham: Duke University Press, s. 112-124

 

Schafer, R. Murray (1977). The Tuning of the World. New York: Knopf

 

Tagg, Philip (2013). Music’s Meanings. A Modern Musicology for Non-Musos. New York & Huddersfield: The Mass Media Music Scholars’ Press

 

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van Leeuwen, Theo (1999). Speech, Music, Sound. London: Macmillan Press