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Lytteformer

Lytteformer Lytteformer henviser til generelle måder, hvorpå vi kan forholde os opmærksomt til lyd (se også opslagene Lydformer og Lyd i medierne). Identifikationen af forskellige lytteformer er nyttig i medie- og kommunikationssammenhænge, idet de bl.a. bidrager til at skærpe analytisk opmærksomhed på lydes fremtrædelsesformer, funktioner og betydningspotentialer. Overordnet set kan der skelnes mellem at lytte […]

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Forfatter Nicolai Jørgensgaard Graakjær
Emneredaktør Kim Schrøder
Se også Lyd i medierne Lydformer Filmlyd og filmmusik
Supplerende læsning

Barthes 1985, Bijsterveld 2019, Chion 1994
Reference

Ament, Vanessa (2014). The Foley Grail: The Art of Performing Sound for Film, Games, and Animation. Focal Press.

Barthes, Roland (1985). Listening. I The Responsibility of Forms: Critical Essays on Music, Art, and Representation (Richard Howard, overs., s. 245-260). University of California Press. Oprindeligt publiceret i 1976.

Bijsterveld, Karin (2019). Sonic Skills: Listening for Knowledge in Science, Medicine and Engineering (1920s-Present). Palgrave Macmillan.

Chandler, Daniel (2007). Semiotics: The Basics. Routledge.

Cherry, E. Colin (1953). Some experiments on the recognition of speech, with one and with two ears. The Journal of the Acoustical Society of America, 25(5), 975-979.

Chion, Michel (1994). Audio-Vision: Sound on Screen. Columbia University Press.

Goffman, Erving (1981). Footing. I Forms of Talk (s. 124-159). University of Pennsylvania Press.

Graakjær, Nicolai Jørgensgaard (2018). Oscillations, interruptions and interphonic gearings: On music in studio-based sports radio. I M. Michelsen, M. Krogh, I. Have & S. Kaargaard Nielsen (red.), Tunes for All? Music on Danish Radio (s. 157-186). Aarhus Universitetsforlag.

Halliday, M. A. K. (1978). Language as Social Semiotic: The Social Interpretation of Language and Meaning. Edward Arnold.

 

Henkens, Bieke, Schultz, Carsten D., De Keyser, Arne & Mahr, Dominik (2026). The sound of progress: AI voice agents in service. Journal of Service Management, 37(1), 1-32. https://doi.org/10.1108/JOSM-06-2025-0269

Kreiman, Jody & Sidtis, Diana (2013). Foundations of Voice Studies: An Interdisciplinary Approach to Voice Production and Perception. Wiley-Blackwell.

Peirce, Charles S. (1955). Philosophical Writings of Peirce (Justus Buchler, red.). Dover.

Pinch, Trevor & Bijsterveld, Karin (2012). New keys to the world of sound. I T. Pinch & K. Bijsterveld (red.), The Oxford Handbook of Sound Studies (s. 3-35). Oxford University Press.

Schafer, R. Murray (1977). The Tuning of the World. Knopf.

Schaeffer, Pierre (2017). Treatise on Musical Objects: An Essay across Disciplines. University of California Press. Oprindeligt publiceret i 1966.

Tagg, Philip (2013). Music’s Meaning: A Modern Musicology for Non-Musos. MMMSP.

Truax, Barry (2001). Acoustic Communication (2. udg.). Ablex Publishing.

van Leeuwen, Theo (1999). Speech, Music, Sound. Macmillan Education.