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Forfatter Andreas Gregersen
Reference

Anderson, Joseph D. (1996). The Reality of Illusion. An ecological approach to cognitive film theory. Carbondale, Ill: Southern Illinois University Press

Bondebjerg, Ib (red.) (2000). Moving Images, Culture and the Mind. Luton: University of Luton Press

Bordwell, David (1985). Narration in the Fiction Film.  Madison, Wis.: University of Wisconsin Press. [Genoptr. 1990, London: Routledge]

Carroll, Noël (1988a). Mystifying Movies. Fads and Fallacies in Contemporary Film Theory. New York: Columbia University Press

Carroll, Noël (1996b). Theorizing the Moving Image. Cambridge: Cambridge University Press

Chayko, Mary (2002). Connecting. How We Form Social Bonds and Communities in The Internet Age. Albany, N.Y.: State University of New York Press

Grodal, Torben Kragh (1997). Moving Pictures – A New Theory of Film Genres, Feelings, and Cognition. Oxford: Oxford University Press

Grodal, Torben (2003b). “Stories for Eye, Ear, and Muscles: Video Games, Media, and Embodied Experiences.” I: Wolf, Mark J.P. & Perron, Bernard  (red.). The Video Game Theory Reader, bd. 1. New York: Routledge, s. 129-155

Grodal, Torben Kragh (2009). Embodied Visions. Evolution, emotion, culture, and film. New York: Oxford University Press. [Opr. udg. af Inst. f. Film og Medievidenskab, Københavns Universitet, 2005 og 2007]

Herman, David (red.) (2003). Narrative Theory and the Cognitive Sciences. Stanford, Calif.: Center for the Study of Language and Information/CSLI Publications

Höijer, Birgitta & Werner, Anita (red.) (1998). Cultural Cognition. New Perspectives in Audience Theory. Göteborg: Nordicom

Kramer, Mette (2008). Romancing the Mind. Women, Emotion, Cognition and Film. Inst. f. Medier, Erkendelse og Filosofi, Københavns Universitet. [Ph.d.- afhandling]

Langkjær, Birger (2000). Den lyttende tilskuer. Perception af lyd og musik i film. København: Museum Tusculanum. [Rev. udg. af ph.d.-afhandling, Institut for Film- & Medievidenskab, Københavns Universitet, 1998]

Riis, Johannes (2002). Spillets kunst. Følelser i film. København: Museum Tusculanum

Riis, Johannes (2004). Engaging Actors. Inst. f. Film- og Medievidenskab, Københavns Universitet. [Upubl. ph.d.- afhandling]

Smith, Murray (1995). Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press

Tan, Ed S. (1996). Emotion and the Structure of Narrative Film. Film as an Emotion Machine. Mahwah, N.J.: Lawrence Erlbaum