Adgang får du gennem dit bibliotek eller ved at købe en licens: her: http://www.academicbooks.dk/medieog-kommunikationsleksikon-online-version/redaktoer-soeren-kolstrup-mfl/9788759318652

Forfatter Ole Ertløv Hansen
Reference

Anderson, Joseph D. (1996). The Reality of Illusion. An ecological approach to cognitive film theory. Carbondale, Ill: Southern Illinois University Press

Andrew, J. Dudley (1984). Concepts in Film Theory. Oxford: Oxford University Press

Arnheim, Rudolf (1954/1974). Art and Visual Perception. A Psychology of the Creative Eye. (The New Version). Berkeley, Los Angeles/London: University of California Press [Rev. og udv. udg. 1974; genoptr. 1984].

Bordwell, David (1985). Narration in the Fiction Film.  Madison, Wis.: University of Wisconsin Press. [Genoptr. 1990; London: Routledge]

Fausing, Bent (1995). Synet som sans. København: Tiderne Skifter

Gibson, James J. (1979/1986). The Ecological Approach to Visual Perception. Boston: Houghton Mifflin. [Genudg. Hillsdale, N.J./London: Lawrence Erlbaum, 1986]

Gombrich, Ernst H. (1960/1961). Art and Illusion. A study in the psychology of pictorial representation. Princeton, N.J./Oxford: Princeton University Press [1. udg. (1960); 2. udg. (1961). Millennium udg. m. nyt forord af forfatteren (2000)]

Gregory, Richard L. (1966/1977). Eye and Brain. The psychology of seeing. London: Weidenfeld and Nicolson. [3. udg. 1977; 5. udg. Oxford University Press (1998). ] [Sve. overs. 1966]

Gregory, Richard L. (1966). Öga och hjärna. Seendets psykologi. Stockholm: Aldus

Grodal, Torben Kragh (1997). Moving Pictures – A New Theory of Film Genres, Feelings, and Cognition. Oxford: Oxford University Press

Hochberg, Julian (1978b). Perception. (Foundations of modern psychology). 2. udg. Englewood Cliffs, N.J.: Prentice-Hall. [1. udg. (1964)]

Metz, Christian  (1977). Le signifiant imaginaire. Paris: Union Générale d’éditions [Eng. overs. 1981]

Metz, Christian  (1981). The imaginary signifier. Psychoanalysis and the cinema. Overs. af Celia Britton m. fl. Bloomington: Indiana University Press Mulvay, Laura (1975).”Visual Pleasure and Narrative Cinema”, Screen 16, 3 (6-18)

Münsterberg, Hugo (1916). The Photoplay. A Psychological Study. [Genoptr. bl.a. som Münsterberg, Hugo (2002). The Photoplay. A Psychological Study, and other writings. New York/Abingdon: Routledge]

Ramachandran, Vilayanur S. & Hirstein, William (1999). “The Science of Art. A Neurological Theory of Aesthetic Experience.” Journal of Consciousness Studies, 6 (6-7), s. 15-51 <http://www.imprint.co.uk/rama/art.pdf> (Set 10.07.2013)

Zeki, Semir (1999). Inner Vision. An Exploration of Art and the Brain. Oxford: Oxford University Press