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Forfatter Göran Sonesson
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Sonesson 1992


Bierman, Arthur K. (1963). “That there are no iconic signs.” Philosophy and phenomenological research, XXIII (2), s. 243-249

Eco, Umberto (1968). La struttura assente. Introduzione alla ricera semiologica. Milano: Bompiani. [9. udg. (1977). [Sv. overs. 1971]

Eco, Umberto (1971). Den frånvarande strukturen. Introduktion till den semiotiska forskningen. Overs. af Estrid Tenggren. (BOC-serien). Lund: Bo Cavefors

Eco, Umberto (1976). A Theory of Semiotics. Bloomington, Ind.: Indiana University Press

Gibson, James J. (1966). The senses considered as perceptual systems. Boston: Houghton Mifflin

Gibson, James J. (1982). Reasons for realism: selected essays of James J. Gibson. Udg. af Edward Reed & Rebecca Jones.  Hillsdale, N.J.: Lawrence Erlbaum

Goodman, Nelson (1968). Languages of Art. An Approach to a Theory of Symbols. Indianapolis, Ind.: Bobbs-Merrill [Genoptr. London: Oxford University Press, 1969] [2. udg. Indianapolis, Ind.: Hackett, 1976]

Groupe μ, (Francis Edeline, Jean-Marie Klinkenberg & Philippe Minguet) (1992). Traité du signe visuel. Pour une rhétorique de l'image. Paris: Seuil

Kennedy, John M. (1974). A psychology of picture perception. San Francisco, Calif.: Jossey-Bass

Sonesson, Göran (1989). Pictorial concepts. Inquiries into the semiotic heritage and its relevance for the analysis of the visual world. Lund: Aris/Lund University Press

Sonesson, Göran (1992). Bildbetydelser. Inledning till bildsemiotiken som vetenskap. Lund: Studentlitteratur

Sonesson, Göran (2003). “Why the mirror is a sign – and why the television picture is no mirror. Two episodes in the critique of the iconicity critique.” S. European Journal for semiotic studies, 15 (2-4), s. 217-232

Sonesson, Göran (2010). “Pictorial Semiotics.” I:  Sebeok, Thomas A. & Danesi, Marcel (red.). Encyclopedic Dictionary of Semiotics. edited by. Berlin/New York : De Gruyter Mouton. [3. rev. og opd. udg.]